![]() ![]() In a letter written in defense of formalism at the same time the development of Candela’s work, emphasized the importance of intuition as a way to reach the solution of the ways proposed. It was very successful on their part to solve a nightclub in a fully open concrete membrane on its sides. ![]() Arriving at the beach building a giant seemed a blanket by a gust of wind had formed a dome tensioned and fixed at three points of support. The commission received Félix Candela was a nightclub that would bring the occupants of the hotel with the sea. German 89 Av Costera Miguel Acapulco Acapulco, Mexico. From the roof of the hotel could be seen as a tortoise thrown by the tide, from the sea, close up, the tension of a candle in the wind. Its elegance and privileged location, between the live rock and a lush jungle garden, had to form a beautiful whole. It was decided to install it there, since the creative ways the architect, encouraged a rapprochement with the sea. Once the hotel complex was built by the architect Sordo Magdaleno, I invite you to participate in Félix Candela to perform a cover for the nightclub that would complete the hotel facilities. The hotel is located in the coastal zone that is located on the edge of the bay. Among them were built complex “President Acapulco”, prism typical of modern architecture in the international period. The most famous tourist port of Mexico, Acapulco is and has been the most important tourist complexes were developed in the 50’s. Recently, formal influences of his innovations can be found in works by Zaha Hadid’s Heydar Aliyev Ali (Azerbaijan, 2013), FOA’s Yokohama Terminal (Japan, 2002), and UNstudio’s Burnham Pavilion (Chicago, 2009).įélix Candela's Concrete Shells: An Engineered Architecture for México and Chicago is a collaboration between the University of Illinois at Chicago (UIC) and the Universidad Nacional Autónoma de México (UNAM).ĭownload the information related to this event here.Félix Candela, great admirer of Eduardo Torroja, showed a special interest to know the concrete shell structures, like the rest of the great masters of the Laminar Architecture, not merely optimize the building process of their structures, but his work became a relevant set of innovative and bold sculptural aspect undulating surfaces, whose slim-resistance is optimized. In Chicago’s built environment, parallels to Candela’s work can be seen in the experiments with concrete architecture of the 1960s, including Walter Netsch’s UIC Campus and Bertrand Goldberg’s Marina City. Famous Candela structures include the Pavilion of Cosmic Rays at UNAM, Mexico City (1951) the Chapel Lomas de Cuernavaca, Cuernavaca (1958) Los Manantiales Restaurant, Xochimilco (1958) and the Palace of Sports for the 1968 Olympic Games in Mexico City. These curved and cantilevered forms were not only structural advancements but also brought new textural and atmospheric qualities to the social and communal spaces they shelter. His designs evolved as feats of architectural engineering, using hyperbolic paraboloid geometry to create numerous reinforced concrete shells. In the 1950s, ten years into his practice in Mexico, Candela debuted his experimental signature shell structures by designing a continuous curved surface of minimal thickness. The exhibition spotlights Félix Candela’s Concrete Shells through photographs, architectural models, and plans, as well as archival material from his time as a professor at the School of Architecture at the University of Illinois at Chicago from 1971 to 1978.Ĭandela exiled to Mexico at the end of the Spanish Civil War in 1939, where he lived for thirty years and established his career as an architect. It originated through the research of scholar Juan Ignacio del Cueto and is curated by the architectural theorist and designer Alexander Eisenschmidt. This exhibition roots Félix Candela (1910-1997) as one of the most prolific architects of the 20th century in his advanced geometric designs and lasting influence in contemporary architecture. ![]()
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